Saramonic SG MS1 Q&A

What recording scenarios is the SG MS1 designed for?

The SG MS1 is suitable for documentary filmmaking, independent productions, live performances, field recording, sound effects, soundscape recording, outdoor content and other situations where both the subject and the surrounding space matter.

Can the SG MS1 be used for mono recording?

Yes. The Mid signal provides a clear, focused center channel, making the SG MS1 suitable for mono-compatible workflows as well as stereo production.

Does the SG MS1 require M-S decoding in post-production?

Not always. Decoded L/R mode provides a stereo signal directly from the microphone. Post-production decoding is only required when recording in Raw M-S mode.

What is the difference between Decoded L/R and Raw M-S modes?

Decoded L/R outputs a ready-to-use stereo signal for real-time monitoring and faster production. Raw M-S preserves the original Mid and Side signals, allowing the stereo width to be adjusted during post-production.

What is M-S stereo recording?

M-S, or Mid-Side, stereo uses a forward-facing Mid signal for the main subject and a Side signal for ambient information. These signals can be combined to create a stereo image with adjustable width.

How is the SG MS1 different from a traditional shotgun microphone?

A traditional shotgun microphone primarily captures directional mono sound. The SG MS1 combines a directional Mid capsule with a Figure-8 Side capsule, allowing it to record both the main sound source and the surrounding acoustic space.